Princeton, NJ— A remarkable gathering of paintings by some of the most important artists of the postwar era will provide a window into a moment of extraordinary creative ferment, when the very nature of abstract painting was being hotly contested. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell spans the years 1950 to 1990, an era whose commitment to artistic experimentation is rivaled only by the first decades of the 20th century, when abstraction was invented.
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Abstraction Américaine opened at the Fondation Fernet-Branca on June 2. Organized by guest curator by Otto Hübner with the assistance of his wife, Kirstin Hübner, and Francesca Pollock, the exhibition brings together signature works of seven 20th-Century American artists, major masters of abstraction, some relatively unknown to the general public in Europe: Hans Hofmann (1880‐1966), Jack Tworkov (1900‐1982), Charles Pollock (1902‐1988), Adolph Gottlieb (1903‐1974), David Smith (1906‐1965), Richard Pousette‐Dart (1916‐1992) and Sam Francis (1923‐1994). The exhibition continues through September 22. A symposium, organized by Otto Hübner was held on June 12 and featured representatives from each artist’s estate. Dr. Philip Rylands, Director of the Peggy Guggenheim Museum, Venice, moderated the symposium.
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