Princeton, NJ— A remarkable gathering of paintings by some of the most important artists of the postwar era will provide a window into a moment of extraordinary creative ferment, when the very nature of abstract painting was being hotly contested. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell spans the years 1950 to 1990, an era whose commitment to artistic experimentation is rivaled only by the first decades of the 20th century, when abstraction was invented.
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