Exhibition News: Abstraction at Mnuchin
Photography by Tom Powel Imaging. L to R: Jack Tworkov, "Cradle," 1956, Philip Guston, "Branch," 1956-58, Beauford Delaney, "Untitled," 1958, Carl Andre, "100 Copper Square," 1968, Mark Tobey, "Persian Bridge," 1969.
ABSTRACTION
February 6–March 16, 2024
Mnuchin Gallery
45 E 78th Street
New York, NY
Mnuchin Gallery proudly presents ABSTRACTION, an exhibition that delves into the dynamic ways post-war and contemporary artists have defined, challenged, and expanded, our comprehension of abstract art. On view from February 6 to March 16, 2024, the exhibition showcases an esteemed lineup, including John Chamberlain, Beauford Delaney, Willem de Kooning, Lee Krasner, Elizabeth Murray, Gerhard Richter, Susan Rothenberg, Kazuo Shiraga, Sylvia Snowden, Frank Stella, Jack Tworkov and others.
Abstraction is a complex and multifaceted phenomenon, with practices varying widely among its contributors working in two dimensions, as well as three. While commonly understood as the absence of clear representation or figuration, abstraction naturally evades a singular or straightforward definition. This inherent ambiguity prompts profound questions about the nature of abstraction itself— how can it simultaneously embody deskilling and sophisticated dexterity, and possess universal qualities while remaining entirely subjective?
While representing a symphonic range of possibilities rather than a monolithic construct, these artists verify that abstraction is not devoid of recognizable or tangible elements, but rather necessitates a nuanced interplay between the imagined and the perceptible.
The artists in ABSTRACTION partake in an ongoing history, where the gestural mark expands from a manifestation of post-war complexities to a more open-ended, exploratory space.
Jack Tworkov (1900-1982) "Cradle [CR 391]," 1956, oil on canvas, 72 1/4 x 64 1/4 in (183.5 x 163.2 cm)
"The central image of these paintings [is] an action brought near by a telescope but out of earshot, silent and meaningless. In a thicket the actors might be lovers, or a murderer and his victim—the anxiety is that of silence of an action without sound, without meaning." – Jack Tworkov, Journal Entry, February 2, 1958